Gracie And Rachel
Gracie and Rachel are magnetic fields: Opposites who attracted and never looked back. A decade ago, when pianist-vocalist Gracie and violinist Rachel met as high schoolers in a modern dance class at their public high school in Berkeley—where they grew up among the city’s progressive politics and encouraging spirit of artistic community—they were quickly intrigued by what the other had.
Rachel was a transfer student from a classical music boarding school who had started on violin as a child, spending her Saturdays at the San Francisco Conservatory, playing chamber music. This strict, regimented background was a clear foil to Gracie’s freer-spirited approach to songwriting and self-expression. Gracie, meanwhile, appreciated Rachel’s knack for structure, theory, and form. “We used to joke that Rachel gave me structure and I gave her freedom,” says Gracie. “That was our foundation in a way. And then we just started to dance with the two.”
The tensions—classically-trained and open-ended, dark and light, timeless and contemporary, certainty and the unknown—have become hallmarks of the modern baroque pop Gracie and Rachel have made ever since. And the power of Gracie and Rachel’s particular alchemy—that of a secret language between musical sisters, with a preternatural melodic sensibility—has never been more potent or realized than on their sophomore record, Hello Weakness, You Make Me Strong, released through Ani DiFranco’s label Righteous Babe Records. “We wanted to bring a little more color into this record,” Gracie says of its expansive, beat-augmented sound, “to control the landscape sonically before opening it up to other people.”